Sunday, 13 October 2013

Lotte Reiniger


Among the great figures in animated film, Lotte Reiniger stands alone- the fact that she was taken a specific animation technique and made it into her own. She was born in Berlin and from an early showed an exceptional and, it seems, self-taught ability to cut free-handed paper silhouettes. From a young age she was attracted to timeless fairy-tale stories for her animations. Cinderella and The Sleeping Beauty (1922) were from her earliest subjects. The delicacy and the fantasy of fairy-tales suited her intricate, imaginative technique.

Cinderella was one of Lotte Reiniger’s first films - it starts off with a pair of scissors cutting out the character Cinderella from a black piece of card which makes it look intricate. The fast hand movements instead of having the puppets already cut out using the hands makes it look different and creates a sense of delicacy. This draws the audience in by showing how the main character came  to life. The finery and elaborate patterns throughout the film, brings a sense of femininity into the narrative. Every design from the set to the characters has a delicate extravagance to it. The space between the images allows the audience to use their imagination to what they think is going to happen next. The detail done on Cinderella’s step sisters refers them to how its written in the book “ugly” using the different shapes and lines helps create it. When Cinderella is combing one of her stepsister’s hair the delicacy within that the strands of hair start of short and with the emphasis of movement on the comb creates the strands longer within seconds.

In my opinion I like Lotte Reinigner's work because of the way she turned her passion for fairy tales into films, the way she expresses emotions of the characters within the puppets. Her technique of intricate and delicacy really brings a change/feeling of something new when watching her work.